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Elements and Performance Criteria

  1. Keep up to date with technologies that can be used to compose music
  2. Generate ideas for musical pieces
  3. Create musical pieces
  4. Evaluate own musical compositions

Required Skills

Required skills

communication and teamwork skills sufficient to

undertake research into development of computer technologies relevant to music composition

discuss compositional requirements in a collaborative manner

document plans for compositional projects

respond positively to constructive feedback on own performance

literacy skills sufficient to read and understand software user manuals

listening skills in the context of

using aural imagination when manipulating musical elements

analysing music instrumentation

applying auralperception skills to improve compositional outcomes

initiative and enterprise skills in the context of

using technology as a creative tool to compose music

phrasing and shaping music appropriately

expressing appropriate musical nuance

demonstrating originality and innovative approaches in the use and organisation of musical elements

extending musical boundaries for self and audience

experimenting with the synthesis of musical ideas and materials from a range of sources

learning skills sufficient to keep up to date with new versions of software applications relevant to composing music

planning selfmanagement and organisational skills sufficient to

prioritise work tasks

meet deadlines

plan the composition of musical pieces in a logical sequence

work within established budgets and timeframes

demonstrate reliability in all agreed work commitments

problemsolving skills sufficient to plan for contingencies

technology skills sufficient to use industrystandard software applications and computer hardware relevant to composing music

Required knowledge

industry knowledge including

musical terminology systems elements and genres

group and solo performance protocols and customs

instrumentation and orchestration

musical protocols and customs for setting down music

features of a range of hardware and software toolspackages for composing music and generating music scores

fusion of music technology and music composition

copyright issues associated with composing music

issues and challenges that typically arise in the context of composing music using electronic media

OHS principles of

safe listening including safeguards against hearing loss

using a computer and keyboard for periods of time

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

compose a selection of musical pieces using electronic media in response to at least two briefs

apply welldeveloped aural skills to the composition process

work collaboratively with others involved in creating or performing the compositions

Context of and specific resources for assessment

Assessment must ensure

access to an environment where music compositional skills can be applied

access to industrycurrent software hardware and audio equipment for composing orchestrating and setting down music

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

evaluation of work plans prepared by the candidate

direct observation of the candidate composing musical pieces using electronic media

written or oral questioning to assess candidates understanding of musical elements and compositional techniques using electronic media

written or oral questioning to test knowledge as listed in the required knowledge section of this unit

case studies and scenarios as a basis for discussion of issues and challenges that typically arise in the context of composing music using electronic media

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Undertaking research may involve:

keeping abreast of industry trends through:

searching the internet

reading industry publications

attending trade shows

participating in conferences and master classes

participating in online discussion forums.

Software applications may include:

Pro Tools

Logic

Cubase

Ableton Live

Reason

Nuendo

Garage Band

Digital Performer

Soundscape

Sonic Studio.

Appropriate personnel may include:

client

software developer and programmer

performer

ensemble member

presenter

musical director

production manager

sound engineer

designer:

sound

lighting

special effects

computer games

artist's agent

tutor

mentor.

Factors may include:

client's expectations

purpose of composition, such as music being composed for:

live performances

film/TV productions

online products

interactive games

availability of appropriate technological/software resources

own level of expertise in using relevant computer software and hardware

available budget

intellectual property

technical parameters, including:

technology constraints

console

platform

bandwidth

memory/RAM

timelines.

Scope of composition brief may include:

purpose

number of musical pieces required

duration of pieces

musical genre

range of virtual instruments to be included in composition

any specialists required

collaboration required with other creative and operational personnel, such as:

film/TV directors and producers

sound editors and other post-production personnel

sound recordists

game designers

budget

preferred software application to be used

evaluation and review requirements

timeline

final format for compositions.

Aspects to be covered in the work plan may include:

duration, general vision for and scope of the composition material

text and any associated collaboration required

timelines

budget

technological resources required for the work

timetable that allows for unexpected developments and contingencies

communication plan that ensures ongoing discussion and confirmation of the music being composed

plan of music components and any text components

map that clearly indicates duration requirements for sections of the work.

Aspects to be covered in a contract may include:

milestones and payment schedule

materials and facilities provided by both parties

responsibilities of both parties

role of any subcontracted personnel

process for negotiating variations to the contract.

Briefing others may involve:

allocating work in line with project requirements

providing specifications

agreeing on standards of work and monitoring procedures

providing technical and financial information

agreeing on payment schedules

discussing reporting mechanisms and arrangements for dealing with contingencies

negotiating process for providing feedback on work in progress.

Compositional techniques may include:

applying the theory and practice of harmony and counterpoint

composing heads as starting points for jazz improvisation

instrumentation

generating workable rhythm section parts

writing note combinations that sound good to the ear

contrary motion

writing parts

creating introductions and endings

using countermelodies

re-harmonising chord progressions

developing musical themes or motifs.

Musical elements may include:

acoustics

aesthetic qualities

articulation

attack

beat

cultural context

duration

dynamics

expression

form

harmony/chords

instrumentation

interpretation

intonation

melody

notation

nuance

orchestration

ornamentation

phrasing

pitch

relationship to song lyrics

rhythm

scales

shape

sound production

suspensions

tempo

texture

timbre/tone colour

time signatures

tonality

transposition

unity and contrast

voicing

volume.

File formats may include:

DAT

AIFF

AC3

WAV

broadcast WAV format (BWF)

WMA

MIDI

OGG

advanced audio coding (AAC)

Apple Lossless

Real Audio

QuickTime

MP3.